RED R3D Workflow Course
This RED R3D Workflow course will teach you to trim, edit, grade, and deliver the highest quality images from RED R3D RAW files.
We use RED Digital Cinema cameras daily on episodic TV, natural history documentaries, IMAX films, and everything in between. The RED Digital Cinema R3D Codec has become an industry standard and is preferred by colourists the world over. Offering up to 16-bit RAW files, the R3D codec has many advantages for compositing, colour grading and VFX work. Editors utilise the extra resolution to reframe shots, stabilise footage, and downsample for a cleaner final output.
Yet many editors and colourists are unsure how to work with RED R3D files in post.
This online course will walk you through the post-production process to achieve the best image quality from your RED Digital Cinema R3D RAW files.
You will learn to use REDCineX Pro and Davinci Resolve for a complete RED R3D RAW workflow.
Trim R3D Files | Set Up an R3D RAW Project in Davinci Resolve | R3D Metadata | Editing in Real Time With R3D Files | Reframe/Stabilise | Output Highest Image Fidelity on Final Render
REDCINE-X PRO
- Batch Import R3D Files to Timeline
- Setting Exposure Levels
- Taking R3D Snapshots
- Pulling Stills From R3D Files
- Trim and Re-rendering R3D Files
DAVINCI RESOLVE
- RED R3D RAW Project Settings
- R3D Metadata
- Real-Time Playback for Editing
- Reframing
- Stabilising
- Colour Balance
- Balancing Exposure
- Sharpening
- Render Settings
The Must-Do Course For Anyone Using RED R3D RAW Files In Post-Production
The RED R3D Workflow course is THE course that anyone dealing with R3D files in post should do. This course answers all of your questions about dealing with the REDCODE RAW files found on all RED Digital Cinema cameras.
If you want to learn how to work in a High Dynamic Range workspace, book our HDR video workshop.